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In addition to the slew of popular plug-ins, each Pro Tools version includes the Studio One Audio Effects bundle, which includes reverb, delay, EQ, and mastering plug-ins that are designed to work with Studio One. Three different versions of Pro Tools are in the package: Pro Tools LT, Pro Tools LT 10.1, and Pro Tools RT. Pro Tools LT is a version of Pro Tools that’s easy to use for most people without an audio engineering background. Pro Tools LT 10.1 is the latest edition, which adds some new features, but it’s not mandatory to buy it. If you can’t afford the full Pro Tools package, Pro Tools RT is the most fully featured, and generally the best choice. Avid includes Studio One plug-ins with Pro Tools, but you can also use other programs’ plug-ins. Perhaps most impressive, you can record most of your tracks to Pro Tools without having to use the studio’s audio interface. This leaves you free to use any number of plug-ins and work on your audio in any way you’d like.

Pro Tools 7 is the current version for the Mac platform. Pro Tools 7 Ultimate is the ultimate package. It includes all the same elements as Pro Tools 7, with a few new plug-ins and a new 3D Touch navigation system. Your hard drive and Pro Tools software can vary from operating system to operating system, but performance will be similar. Avid software updates routinely, though, so you can expect stable performance on all your hardware. If you have an older version of Pro Tools and are ready to upgrade, Pro Tools 7 is a great way to get started. If you’re new to recording, Pro Tools 7 will take your skills to the next level.

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Pro Tools 10 keeps on rolling, and if you’re lucky, your existing projects, libraries, and patches will work with it (at least some of the time). The interface can look different, depending on whether you’re running it on OS X or Windows, and there are limitations (like, for example, which audio recorders you can use), but the fundamentals remain the same. The biggest change is the removal of the Time Machine option (which allowed you to pull up time-lapse sequences), instead requiring you to use V-System to record multiple takes and then organize them into bins or clips that can be moved, edited, and exported. It’s an elegant concept, and I was pleased that Avid put this feature back in despite Apple’s removal. But like a smart late-summer student, it is a little awkward and not quite ready for primetime.

Whether you’re using Avid Pro Tools software or simply an Avid DAW station, you get access to all your favorite plug-ins and instruments with full support. The thing that’s really exciting about these AV integration products is that rather than reinvent the wheel or import outdated content, they take advantage of the tools that are already built into your system. If you’ve used those tools in the past, you’re probably already familiar with the interfaces and workflows. Since they’re tightly integrated, you can use one or both interfaces simultaneously.

Those who already used the audio capabilities of Avid Pro Tools on an S|X|L system will probably not find much missing, but the touch-screen interface could make for a more intuitive workflow on other platforms. However, it’s also true that if you’re accustomed to using Pro Tools on a multitrack DAW system with a large hard drive and plenty of CPU power, it may still feel like the hardware-based system you’re used to.

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Pro Tools and Pro Tools Ultimate are now on the cloud. Anyone with a valid Adobe Creative Cloud account can download and use Avid’s award-winning software. Pro Tools now lets you choose Cloud Pro as your preferred work platform, giving you more access to features, apps, and browser features. Cloud Pro also gives you quick and easy access to work files you already have and more flexible workflows. This allows you to access and share files, automate workflows, collaborate with others, and save more time.

Dynamic audio has been revolutionized with the new Signal Path module. Like an HD-aware track, the dynamic audio track will automatically adjust to the audio type with which it’s mixed. Choose from three mix types – mono, stereo or surround – and leave it to Pro Tools to seamlessly reproduce the signal path of the audio you record or mix. The new Dynamic Audio allows engineers to improve the quality of any mix by adjusting the audio path to match the mix.

The new Timecode View lets you quickly see the timecode on-screen during rendering, record and mix sessions. It’s easy to switch between Avid timecode modes, and the new onboard screen shot button will keep a visual backup of the session and its contents.

Right out of the box, Avid’s music software has more comprehensive presets designed specifically for modern music production. It’s intuitive with dozens of dedicated music-specific settings, including sections dedicated to every aspect of music production, such as channel strip, effects and mastering.

Want to start a new project all over again, but have no idea where to start? Or maybe you just want to keep your existing projects current and up to date? The idea of taking yet another Patched Avid Pro Tools Version installation offline is still hard to swallow. Fortunately, there’s now a solution for that.

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• Tap side-chaining to a track and any external signal.
• Tap on a series of external signals to control the roll of the track.
• Apply the last used side-chaining method to all tracks.
• The control show backlit alpha and UI icons when side-chaining is engaged.

• Support for Pro Tools 11.4.x and Pro Tools 12
• New 64-bit Architecture
• D&A Audio I/O software and hardware routing (Free)
• MIDI Quantize Toolbar Control
• ALSA, ASIO and Core Audio support
• Technical Support and Maintenance
• SoundFlow Cloud Avid Edition included with all Pro Tools Studio perpetual licenses with an active support plan
• Personal Storage
• Support of Avid ProTools 12.1, ProTools 11.1, ProTools 10 and ProTools HD

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