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I don’t get it. There are improvements to the S-curve tool that affect the look of curves, but the only thing that really changes is the toolbox does not look any different on the new release. Also, the news is that every single new camera added since the first version support is being added to the software with no charge. This could be viewed as a benefit of a subscription as one would only need to buy the new camera in order to get the support. However, this is the cause of the confusion, as the software now appears to be identical to what you can purchase for a one time fee.
I don’t think there is a difference between an upgrade from Creative Suite 3 to Creative Suite 4, and getting a single purchase of this new version. The first is free, the second isn’t.
That’s a good question. Adobe does not post any information about the benefits or focus of this new release. Yet people are claiming this is a great upgrade for photographers that are on the largest version of their suite. There is no knowledge given as to how new features are being utilized or what changes are made to the camera model matching with the update.
I would love to see Adobe continue to make RAW processing in Camera RAW continue to improve. It is getting to the point where the only disadvantage to using the software is the price (it is not free). Right now, it looks like Canon’s solution is superior to this in almost every way.
Also, I did notice two problems with the preview you get when you right click on the adjustment mask : sometimes it does not display all the sliders. There is no way to turn them on or off. It’s a simple matter of the Adobe engineers trying to keep the screen size and display time down without it getting clunky and messy.
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At first glance, it doesn’t really matter to me whether you are using Lightroom or Camera Raw to set up your camera profiles, but then I think about it. I love using Lightroom to adjust my camera profiles. I have found the workflow of using the new Camera Raw workflow to be completely unpleasant (imo, others will probably disagree with me). Im not saying that Lightroom wont ever be useful for this purpose, but I would much prefer to not have to have it be the backbone of my workflow. Now I have to learn the ins and outs of Camera Raw to use it in addition to Lightroom, to maintain the existing workflow.
The new RAW workflow works pretty well, but I never really understood why Adobe would use a workflow similar to that of Lightroom. It doesnt even match the functionality, making it an exercise in frustration at best. In Lighroom, your adjustments are always live and the settings are always on the full screen and in a single panel. This makes adjusting anything much more intuitive and faster.
In Camera Raw, the settings are generally in two or more panels that are scattered about the interface. Some things, like white balance, are in a single panel, while others are in the Basic panel. And the Basic panel is a totally different interface from the Basic panel in Lightroom. You also cannot adjust a ton of settings at once. The settings that make sense to adjust live in the Basic panel and you can view only those adjustments at once. If you want to have different settings live you have to toggle the Preview on and off to do that. Each change of the Preview off/on switches between live and cached settings.
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• Adobe Lightroom Plug-InThis is the Lightroom plug-in. The Lightroom plug-in has the same workflow as the Free Adobe Camera Raw Download plug-in. In addition, it has an image development view that can be used to preview the development settings and monitor progress as you develop images.
The tool that lets you quickly share images across social media with a few touches is now within camera Raw. The new publishing controls let you create a link to a JPEG, TIFF, or JPEG + PDF by using the publish tools. The shared image will be located in a folder named “Shared Gallery” and you can use it via a web browser or email.
Its also worth noting that each RAW file is saved as a TIFF which means that they can be treated as RAW in Photoshop. So, its possible to do selective masking and adjustments in Photoshop and save the result as a new RAW file. Or it can be done in Camera Raw.
Adobe claim that the benefits in masks can be seen quickly, but I doubt that I will agree with them. It takes me a few tries before I get to grips with it. Its also worth noting that whilst you can just click on a mask to select it, to copy it is more involved. Its possible that the other aspect of masks is used to create temporary masks, and the permanent ones are just an extra to make life more fun, like transient details. These temporary masks can be closed as normal (and saved) which can be useful.
One of the most useful new Camera Raw features is the new ability to view the histogram for a specific channel on a channel. This has been a hugely popular feature in Photoshop, and I can see why. Given that RAW files are unedited, the channel that most of us edit is the Red channel. As a result I can see why this is a useful feature.
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Adobe Camera Raw 14.5 System Requirements
- Macintosh (Intel, Power PC) computer
- OS X Mavericks (10.9.0)
- 2.3 GHz Dual Core processor or faster
- 4 GB RAM recommended
- 750 MB free hard drive space
- 55 MB of free available hard drive space
- DV / Color / Black and White card reader needed
- DV / Color / Black and White camera needed (optional)
- Adobe Photoshop Lightroom 3 or later is required
Adobe Camera Raw 14.5 Features
- Unleashed Your Creativity
- Colorspace Conversion Tools
- Extended Color Management Tools
- Advanced Layers and Adjustments Tools
- Value Adjustments Tools
- Quick Fix Tool
- Preview Image Editor
- Image Adjustment Tools
- Workflow Enhancements
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